waxatax

gladdy

Gladdy Wax and friend throw down some TUNES at Springfield Park festival.

It’s not bad having one of London’s best reggae shops in walking distance of my flat, but it’s even better having the owner selecting in the local park. And yes, those legendary gloves were out in full force. Rumours as to their providence abound – the main story being they are to protect Gladdy’s massively rare tunage from wear and tear. He was also joined by the boys from Tighten Up, but I saw less of them as the playbus and our large entourage beckoned.

A great way to celebrate 100 years of the park, and me daughter’s 4th birthday.

Springfield Park Centenary Music Festival

And:

Grup Nehir (Turkish Kurdish)
Slims Cyder Co. (Swamp Sounds)
Dirty Love (Hackney Punx)
Section 11 (Cuban Sounds)
Peace Not War Hip Hop Collective
Hangout Entertainment Showcase
MDV (aka One Style) (Roots)
And DJ Maccaroni on Main Stage

Plus Stalls/Kids rides/dodgems

To celebrate the Centenary of the Park opening in 1905.

Praxis Newsletter 18: Breakcore?

Since Breakcore as a genre seems to be at the verge of “acceptance”, it’s worth looking back and evaluating some of the history.

A whole new audience has emerged in the last couple of years, that in many cases seems to know very little about the history, ideas and culture. This situation is not helped by the fact that a number of careerist impresarios and label managers are trying to present their version of Breakcore as the “next big thing” in a desperate bid to make it in the spectacle. What events, currents and breaks led us to this point?

Praxis Newsletter 18: Breakcore?

Essential.

weareie: Droid Inna Dancehall Vol 1. – Basement Bashment

Droid Inna Dancehall Vol 1. – Basement Bashment

Absolutely wicked 90s mix from Droid over in Dublin. Nice and synchronistic cos I’ve been having a little 90s revival of my own recently.

A full length mix with some great sleevenotes. Proof positive of the health of JA music after its supposed “heyday” (and doesn’t that keep moving forward, slowly but surely? It used to be 70s and before, then pre-85, then 80s and before…)

This one’s a keeper – go deh!

COMPETITION TIME!

Win the entire JUNK back catalogue!
You lucky lucky people!


Aphasic is a stalwart of the breakcore/speedcore/whatevercore scene. He was one of the founders of the legendary Dead by Dawn nights at Brixton’s 121 Centre and released a number of tunes on the seminal Praxis label before starting his own Ambush Records with DJ Scud.

He set up his own label, JUNK, at the end of 2003 after relocating to the Netherlands. JUNK builds on the Ambush sound – ragged dancefloor killers bump up against more abstract downtempo tracks. Junk’s releases have torn up the place at Sick & Twisted and have also featured on CD or online mixes by LFO Demon, DJ Ripley and DJ Brokenyolk.

THE STORY SO FAR:

Aphasic – Yeah Yeah Yeah Whatever (Junk 01) 12”

”Two ultra fast tracks and two slower-paced tracks. Influences move from Indian drumming to old skool hardcore, from salsa to classical, from ragga to musique concrete via dub, punk and jazz.”
“To the Top” is insane everything-but-the-kitchen-sink mash up at its best. Also includes a collaboration with Bong Ra.

Sickboy – Owley Girl (JUNK02) 12”
Aphasic – We Are Junk (JUNK03) 12”

Previously reviewed here.

Patric C – VIP (Very Impossible Person) (JUNK04) 12”

This is the latest release – from Berlin-based Patric C (previously of EC8OR) and is a further shot in the arm – at 200bpm! The “take your hands of my ba-bomp ba-bomp bomp” vocal sample guarantees hip-wigging aplenty.

You can hear mp3s of this release at http://www.j-u-n-k.com/

THE PRIZES:

JUNK have kindly given me two sets of each release to give away to the competition winners.

1st Prize – all four JUNK 12” sent to you anywhere in the world, for free.
2nd Prize – your choice of two of the 12”.
3rd Prize – the two remaining 12” not claimed by the winner of the 2nd prize.

THE QUESTIONS:

1) What does “aphasic” mean?
2) What does the phrase “junk funk” mean to you?

THE RULES:

a) My decision is final, capiche?
b) The selection process will favour people who answer the questions with a bit of thought, humour, creativity, and/or political rigour.
c) I reserve the right to publish your answers here.
d) Email your entries to [junk “at” uncarved “dot” org]
e) The closing date is 23rd September 2005.

Sick & Twisted, 12th August 2005

I’d been banging on to everyone about how great LFO Demon’s “Rave for Communism” single is for ages and ages so I was well chuffed to see that he was on the bill at Sick and Twisted. It’s impossible to overstate the importance of the night in providing a regular well-organised platform for this sort of music in a friendly environment (i.e. not some ket and mugging-fuelled terrordrome on an industrial estate).

LFO Demon, live at Sick & Twisted

Laptop sets, eh? Fortunately this one was really good because:

a) I was a bit stunned that the guy who made all this great music and knocked up some great texts like Battyboys are alright – the homophobia FAQ was so… young.

b) The music was absolutely tearing and made the crowd (and the performer) get seriously animated. Bonkers high speed ragga mash up business. This bloke knows what he is doing and you should all go and check out his new online mix. Oh and his MIA remix, heh heh.

Alex B and DJ Brokenyolk

c) I managed to get completely distracted, spending far too much time talking to Alex B and DJ Brokenyolk (above), a motley collection of regulars (hello!) and Martin.

My usual self-control was in short supply. Me and Martin ended up nattering on the stairs and eventually got chucked out by the bouncer who was hugely nice and understanding and all that about our drunken remonstrations to stay in the way of the fire exit talking bollocks. And so the night ended – battered, downstairs, drinking lager with ice cubes floating in it.

PlayPlay

stop oppressing me, maaaaaan

Police chief calls for £7 pint… to stop binge drinking and the knock-on public disorder. “Binge drinking is already a bigger challenge to police than terrorism.” he added, barmily.

There would, quite literally, be rioting in the streets if this actually happened.

That said, I am all for moderation, mainly. I’m not a binger, oh no. At least I didn’t think so until I read this:

What is ‘binge drinking’?

There has been lots of media interest in Britain’s ‘binge drinking culture’ and even the government is worried, but what exactly is a binge?

Binge drinking is drinking that gets you drunk. It really is that simple.

For academics to do research they need a definition of bingeing that is easier to measure. Often a binge is defined as drinking double the Department of Health recommendations or more in one session, so eight units for a man or six for a woman would be a binge.

However, some people who drink regularly would not be drunk at these levels, others would be very drunk indeed. For most of us, it is easier to think of binge drinking as drinking to get drunk.

Binge drinking matters because getting drunk is risky and can be dangerous.

So on the one hand, 4 pints is a binge, which doesn’t sound like very much to me. At all.

And on the other hand it’s “drinking to get drunk” which is fairly nebulous. I guess this is opposed to “drinking to take your mind off work” or “drinking to work up the courage to talk to that girl over there” or more probably “having a glass of wine with your meal, but no more than that”.

It’s not entirely wrong to say that drinking has played a fundamental role in entire history of the workers’ movement in the UK. Wasn’t the 5 day week, and indeed the measurement of time, a product of bosses being pissed off with their workforce getting lagered up and arriving late?

Our rulers’ moralism has been the flipside to this all along as well:

“Councillor Didlum said that it was very evident that Dr. Weakling had obtained his seat on that Council by false pretences. If he had told the ratepayers that he was a Socialist, they would never have elected him. Practically every Christian minister in the country would agree with him when he said that the poverty of the working classes was caused not by the ‘wretched remuneration they receive as wages’, but by Drink.”

– Robert Tressell The Ragged Trousered Philanthropists

Mind you, some people (not me, obviously) can overdo it. 😉

By setting up an encampment, where we all had to live together for a week, we were constantly faced with the real life, practical implications of our politics.

Does anarchism simply mean that no one can ever tell me what to do, whatever state of consciousness I’m in or however I’m affecting the good of the whole? How do we respect the individual freedom of those who are in no state to make rational decisions or listen to the needs of others, and who gets to decide?

And at what point does the good of the whole override the absolute freedom of the individual? It’s one thing to consider these issues in the abstract, another to spend half an hour at 2:30 AM trying to get a drunk to move back from the police lines.

Alistair, quoting Starhawk on anarcho-pissheads at the G8 summit.

Which is as good a summation as any of my problems with “lifestylist”/individualist aspects of 21st century UK anarchism. (And I do mean aspects, because I’ve talked it over with a load of sensible anarchists and it does their heads in as well).

Coming back from the Conflict gig at the Venue in New Cross circa 1994 (?) I was struck by the contradictions of anarchopunk – social responsibility mashed up with destroying the passerby.

At the gig I’d watched a load of spikey tops chuck half-full plastic beer glasses over the balcony onto the people below. On the bus on the way home, there was some pissed crusty chuntering on about anarchy and peace and “a world where nobody will tell me what to do…” which instantly made me think of several things I wanted to tell him to do right there and then…

Of course, anarchism’s best contribution to politics is its criticism of hierarchies and authority. But when this criticism becomes an individualist cause in itself, (as opposed to a collective way of relating to each other socially, coupled with a class analysis) it becomes a cloak for the worst of selfishness and “I’m all right jack” indulgence.

But yeah, but no, but… The danger with this sort of thinking is that I’ll end up incredibly po-faced and puritan, whereas what attracted me to anarchism and similar politics originally was its playfulness, creativity and, if I’m honest, the fact that the anarcho punks where I grew up put on the best gigs – but that didn’t stop me offering to help sweep up afterwards.

Some of the discussions around the Criminal Justice Act and raving played with the idea that hedonism is political, and can be liberating in and of itself. I have some sympathy with that (as opposed to the idea that people just get shit-faced at the weekend so they can bear the braindeath of the working week). Plots can be hatched in the pub after work that get remembered and taken back into the workplace… but not if you can’t stand up.

My concern here is that “counter-cultural” activity ends up as 99% hedonism, with the remaining 1% being an intellectual justification for it being somehow “revolutionary”. I.e. in the same way that parts of the rave scene went up their own 3rd eyes by drawing parallels between shamanism and getting completely off your tits on druuuuuuuuuugs.

But also that puritanism is counter-productive. And if that sounds confused, it’s because I have a hangover, OK?